Chilling out in the warm bank holiday evening sun. Luisa clocked my camera. We chatted for a moment about the Yashica and photography in general before I plucked up the courage to ask for a portrait.
Luisa was great fun to photo. She has a wonderful flirtatious personality and a glowing smile that made working with her very easy. Definitely fast witted and funny by far. It was a delight to spend time chatting to her whilst she sold ice creams to the happy crowd.
The Lost Carnival
Ilford HP5 120mm F8 1/125
Yashica Electro 35GSN.
Ilford XP2 400asa.
As long as you give respect you get to drink with East London’s Finest.
Taken with a Yashica 635
Ilford XP2 400
Scanned from negative using Epson V550
Simple food made for peanuts, costing small fortunes in prime locations. Wheeled into place and powered by Calor magic. Old traditions do last centuries.
Tower Bridge, London.
Friday 5pm London Bridge. Just in time for the weekend.
Yashica 635. Kodak Portra 400. 120mm
Look up and you meet interesting spies looking down.
Shot in the town of Granada, Spain.
Fujifilm X20 (RAW) App Priority.
Bumped into the music artist that is Peaky whilst walking around the market square in Camden Town, London.
We exchanged artistic tastes, cd’s and pictures.
An awesome guy with great underground rap lyrics, I was glad he stopped me for a chat.
Look him up…. and donate a few quid to his efforts in making it to tour Japan.
Find out more at:
Taken with a Yashica 635 TLR
Kodak Portra 400. 120mm.
5pm Friday in the business district of London is always busy. Thousands of people rushing away from the big smoke and heading towards the weekend so they can forget their rat life ways.
It’s a stressful time trying to get the tube and fighting your way through frustrated behaviours.
And through all this congestion a simple moment of calm she sits in full view whilst staying hidden.
Maybe she had time to kill.
Maybe she had nowhere to go.
Maybe waiting for the next bus, just to get a seat.
No-one cared to ask.
Or maybe, 2 Down, 8 Across was just too much of a challenge to give up now.
Yashica 635. Kodak Portra 400 ASA. 125/sec F8.
You all know I love photography but I have an even greater love for old Film Noir movies. The grit and grim of a classic like The Big Combo makes for a great night in.
I have been away from my camera for a while (that is a lie, I have been concentrating on photography on the street) and have missed getting into a project.
For some time now the idea of creating another Low Key image has been mulling around my mind.
I wanted to create an image of dread and despair. A moment of uncontrolled emotion and a dislike. I hope I have achieved that.
The set up was easy. Strobe with a grid 45 degrees left of the camera. Speed light with a snoot (amazing what you can make with a piece of packing paper) behind me and to my left. A cookie (blind) made from a box from work (We had so many left over I thought no one would mind).
A cheap white shirt and tie that has been destroyed with food colouring. (Not a splash on the bed, very proud of myself).
And lastly…… my 1970’s phone. Which still works perfectly.
There has been some dodging and burning around eyes and skin. I really enjoyed myself and fancy doing some more. Though not tonight. My face is a pink colour due to the food colouring.
Let me know what you think. I appreciate all comments and opinions.
Beginning life as a church (1864) The church closed and the building was radically altered and a cinema license was obtained in 1912.
The exterior is quite ornate for such a small cinema with the front and part of the side tiled in decorative terracotta tiling with ornate round windows with carved laurel leaves and swags. There is an ornate balustrade along the top with a cupola temple structure above a corner entrance. The words “Salford Cinema” are carved on a half circle ornate pedement at the middle top of the frontage.
The cinema changed hands in 1921 and again in 1937 when the name was changed to the Rex Cinema (even though “Salford Cinema” was clearly carved in the pediment.
The cinema suffered from the advent of television and the slum clearances which had taken most of the customers form the area. The Rex Cinema closed as a cinema in 1958 and lay empty for some time until 1967 when it opened as a bingo hall.
The opening ceremony was performed by actress “Violet Carson” better known as “Ena Sharples” from the soap opera “Coronation Street” who was also a one-time cinema pianist in the silent days.
The bingo stopped in 1985 and the building has come full circle and reopened as the New Harvest Christian Fellowship, a Gospel Church. The Rex has been designated as a Grade II Listed building.
I came across this cinema whilst driving around trying to find a car park for the hotel we was staying at a year ago. Being on a cross road it popped out and the Salford Sign had me hooked. I wanted to capture the building in a retro form and decided to come back with a vintage camera. Shooting through an inch of glass that is reflecting upside down is hard work yet very rewarding. I love how this old camera still takes pin sharp pin hole shots even to this day. Taken using a 1924 Kodak Brownie and Fomapan 100 ASA 120mm Film.