On a market stall in a tudor village I met a photographer selling cakes.
We chatted about our interest and camera collection before I asked for a portrait in exchange for a chocolate cake.
Funny how a camera around your neck will start the most innocent conversations.
Kodak Tri-x 400 120mm
Walking around the Northern Quarter in Manchester early on a Sunday morning I noticed the amazing colour of Cameron’s hair and the glint in the badges on Louann’s bag. Being a badge geek myself (and wishing I could have green hair) it was worth stopping to them and having a chat. They were very happy to pose for me on Manchester fantastic graffiti backdrops and were natural at showing attitude. It was fun to meet such inspirational people on a lazy day with such interesting personalities. Cannot wait to send them this image.
Kodak Portra 400
Simple food made for peanuts, costing small fortunes in prime locations. Wheeled into place and powered by Calor magic. Old traditions do last centuries.
Tower Bridge, London.
Look up and you meet interesting spies looking down.
Shot in the town of Granada, Spain.
Fujifilm X20 (RAW) App Priority.
This is one of the last great examples of early purpose built cinema architecture left in the UK and even if the rest of the building cannot be saved. The facade should. Sometimes the cost of keeping something so unique may seem unrealistic and keeping up with the times is the best option. However that is the sort of thinking that has left most towns and cities losing their character. Liverpool is a leading example of retaining it’s original architecture and the Futurist should also be saved. It would be the only early cinema in the city and with the right money, love and care could become the centre piece of Lime Streets redevelopment.
Think of it like this….. When this cinema was built. The golden age of the silver screen was still a unique experience for many. People sat together in pure comfort and warmth. They laughed together, cried together, became scared together and fell in love with their fav film stars together.
No other building holds so many historic moments and has told so many stories than a cinema.
Keep the Futurist for the next generations, let them enjoy her proud stature. Let them wonder about her past.
There is still time to save her. Please make the right decision. Keep her standing and telling stories.
(Followers. Please help. No matter where you are in the world. If like me you have a fondness for nostalgia take a moment and sign the petition to save this building.
<a href=”https://www.change.org/p/save-the-facade-of-the-former-futurist-cinema-building-lime-street-liverpool” rel=”nofollow”>www.change.org/p/save-the-facade-of-the-former-futurist-c…</a>
Thank You )
Beginning life as a church (1864) The church closed and the building was radically altered and a cinema license was obtained in 1912.
The exterior is quite ornate for such a small cinema with the front and part of the side tiled in decorative terracotta tiling with ornate round windows with carved laurel leaves and swags. There is an ornate balustrade along the top with a cupola temple structure above a corner entrance. The words “Salford Cinema” are carved on a half circle ornate pedement at the middle top of the frontage.
The cinema changed hands in 1921 and again in 1937 when the name was changed to the Rex Cinema (even though “Salford Cinema” was clearly carved in the pediment.
The cinema suffered from the advent of television and the slum clearances which had taken most of the customers form the area. The Rex Cinema closed as a cinema in 1958 and lay empty for some time until 1967 when it opened as a bingo hall.
The opening ceremony was performed by actress “Violet Carson” better known as “Ena Sharples” from the soap opera “Coronation Street” who was also a one-time cinema pianist in the silent days.
The bingo stopped in 1985 and the building has come full circle and reopened as the New Harvest Christian Fellowship, a Gospel Church. The Rex has been designated as a Grade II Listed building.
I came across this cinema whilst driving around trying to find a car park for the hotel we was staying at a year ago. Being on a cross road it popped out and the Salford Sign had me hooked. I wanted to capture the building in a retro form and decided to come back with a vintage camera. Shooting through an inch of glass that is reflecting upside down is hard work yet very rewarding. I love how this old camera still takes pin sharp pin hole shots even to this day. Taken using a 1924 Kodak Brownie and Fomapan 100 ASA 120mm Film.
Turn a corner in old London Town and you are reminded of the past and present.
Down a dusty old London side street, leading into a busy open market stands a grand image of working life of yesteryear. It took me by surprise at the time. This wonderful moment on a massive board and no-one had noticed it.
I was drawn to it straight away (I love anything to do with how we used to live), when I noticed this guy on the phone just sitting there.
It struck me just how powerful the moment was. Here was a guy, sitting on a chair, using a mobile phone. A classic scene of 21st Century lifestyle with the back drop of 1930’s living perfectly in line with each other.
I had to get in close to take the picture and for the guy to notice me. I hoped he would become a little annoyed. I wanted him to look at me in the same way the gentlemen where in the picture. After standing there for a few minutes just looking at him he gave the look you see.
For me this is a perfect example of old and new and how technology, fashion and attitude may have changed over time, our personal living has stayed the same.
This was my favourite photo from a day shooting in London and probably one of the small handful of images I am really proud of.
Taken with FijiFilm X20 in Green Market London.